
Laura Giannini
Degrees & Studies
B.M., M.M. – Duni Music Conservatory
Accademia di Santa Cecilia — Violin and Chamber Music Diploma
Hochschule für Künste Bremen — Postgraduate Diploma in Violin Performance
C.U.N.Y. — Artist Diploma
Division
Violin
Music Conservatory of Westchester
Faculty since 2023
Born In
Bari / Italy
Performances & Distinctions
Laura Giannini, an Italian violinist, recording artist, and music educator based in New York City, began her career at age 19 when she was selected by violinist Uto Ughi to perform with his Festival Omaggio a Roma Orchestra as a featured soloist in the Vivaldi Concerto RV 581 in C Major. From 2005 to 2006, she appeared with the Orchestra Philharmonia Mediterranea performing the Bach Double and Mendelssohn Violin Concerto.
An award winner in duo and piano trio competitions throughout Europe, Laura collaborated there with Accademia dei Cameristi, A.Gi.Mus. Roma, Musica a Piazza Navona, and Deutscher Tonkünstlerverband, among others. Her playing was featured in the Ensemble Mediterranée’s world-premiere recording of Raffaele Gervasio’s compositions in a CD produced by DAD Records in 2006 and on Deutschland Radio Kultur during the Kammerensemble Nordwind live broadcast of Schönberg’s Pierrot Lunaire, as well as more recently on the WVOX radio in a musical interview about South-Italian composers.
Teaching Philosophy
Teaching Philosophy
I consider myself a dedicated violin instructor and chamber music coach with a versatile teaching style embracing the Suzuki philosophy supplemented by elements from other methods, such as Shirley Givens, Galamian, Franco-Belgian, Dounis, and learning concepts personally developed according to the student’s level. I read a lot about pedagogy for my curiosity and have observed several teachers working with both young and older students in both individual and group classes as well as master classes.
My last pedagogical reading is “Teaching from the Balance Point” by Edward Kreitman, a book that I find fascinating because it inspires me to find more options for integrating Suzuki’s principles in traditional string instrumental teaching and striving always for balance, such an important element! In my teaching career, I have been very fond of many other readings, among which I feel the urge to mention “Principles of Violin Playing and Teaching” by Ivan Galamian, “A New Approach to Violin Playing” by Kato Havas, and “The Artist’s Technique of Violin Playing” by Demetrius C. Dounis.
I believe that the students should be guided to appreciate the creativity of the never-ending learning process, becoming their teachers more and more as they artistically grow. I enjoy taking up the challenge to motivate students and then watching their development over the years.